{"id":339,"date":"2025-02-15T02:39:24","date_gmt":"2025-02-15T02:39:24","guid":{"rendered":"https:\/\/marthabatiz.com\/?page_id=339"},"modified":"2025-02-18T15:34:08","modified_gmt":"2025-02-18T15:34:08","slug":"creative-writing","status":"publish","type":"page","link":"https:\/\/marthabatiz.com\/es\/creative-writing\/","title":{"rendered":"Creative writing"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"339\" class=\"elementor elementor-339\">\n\t\t\t\t<div class=\"elementor-element elementor-element-366437b e-flex e-con-boxed e-con e-parent\" data-id=\"366437b\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[],&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-b14c3d3 e-con-full e-flex e-con e-child\" data-id=\"b14c3d3\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t<div class=\"elementor-element elementor-element-ed9ff8d e-flex e-con-boxed e-con e-child\" data-id=\"ed9ff8d\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-bcfb4fc e-con-full e-flex e-con e-child\" data-id=\"bcfb4fc\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ccc6bfb elementor-widget elementor-widget-heading\" data-id=\"ccc6bfb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Creative writing<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-213c7d1 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"213c7d1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Dive into a rich collection of short reads and articles that showcase Martha&#8217;s unique voice and storytelling prowess. Each piece is a window into her vibrant mind, offering readers a glimpse of her profound insights and literary artistry. Whether you&#8217;re seeking thought-provoking essays or immersive narratives, Martha&#8217;s work promises to enchant and inspire. Explore, reflect, and lose yourself in the literary brilliance of Martha Batiz.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bf176cb elementor-align-left elementor-mobile-align-left elementor-widget elementor-widget-raven-button\" data-id=\"bf176cb\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;turn_to_popup_action_button&quot;:&quot;no&quot;}\" data-widget_type=\"raven-button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"raven-widget-wrapper\">\n\t\t\t<a class=\"raven-button raven-button-widget-normal-effect-none elementor-button raven-button-text-align-center raven-button-link elementor-animation-none\" href=\"https:\/\/marthabatiz.com\/es\/books\/\">\t\t\t\t<div class=\"raven-button-overlay\" ><\/div>\n\t\t\t\t<span class=\"raven-button-content\">\n\t\t\t\t\t\n\t\t\t\t\t<div class=\"button-text-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"raven-button-texts-wrapper\">\n\t\t\t\t\t\t\t<div class=\"button-text\">\n\t\t\t\t\t\t\t\t<span class=\"raven-button-text\">\n\t\t\t\t\t\t\t\t\tView the books\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<span class=\"raven-button-icon raven-button-icon-position-right\">\n\t\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-arrow-right\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M190.5 66.9l22.2-22.2c9.4-9.4 24.6-9.4 33.9 0L441 239c9.4 9.4 9.4 24.6 0 33.9L246.6 467.3c-9.4 9.4-24.6 9.4-33.9 0l-22.2-22.2c-9.5-9.5-9.3-25 .4-34.3L311.4 296H24c-13.3 0-24-10.7-24-24v-32c0-13.3 10.7-24 24-24h287.4L190.9 101.2c-9.8-9.3-10-24.8-.4-34.3z\"><\/path><\/svg>\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t<\/a>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-0029eae e-flex e-con-boxed e-con e-parent\" data-id=\"0029eae\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-67dc2c7 e-n-tabs-mobile elementor-widget elementor-widget-n-tabs\" data-id=\"67dc2c7\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;tabs_justify_horizontal&quot;:&quot;start&quot;,&quot;horizontal_scroll_mobile&quot;:&quot;disable&quot;,&quot;horizontal_scroll&quot;:&quot;disable&quot;}\" data-widget_type=\"nested-tabs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"e-n-tabs\" data-widget-number=\"108905159\" aria-label=\"Tabs. Open items with Enter or Space, close with Escape and navigate using the Arrow keys.\">\n\t\t\t<div class=\"e-n-tabs-heading\" role=\"tablist\">\n\t\t\t\t\t<button id=\"e-n-tab-title-1089051591\" data-tab-title-id=\"e-n-tab-title-1089051591\" class=\"e-n-tab-title\" aria-selected=\"true\" data-tab-index=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"e-n-tab-content-1089051591\" style=\"--n-tabs-title-order: 1;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tBooks\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-1089051592\" data-tab-title-id=\"e-n-tab-title-1089051592\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-1089051592\" style=\"--n-tabs-title-order: 2;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tContributions to Anthologies\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-1089051593\" data-tab-title-id=\"e-n-tab-title-1089051593\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-1089051593\" style=\"--n-tabs-title-order: 3;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tShort Reads\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-1089051594\" data-tab-title-id=\"e-n-tab-title-1089051594\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"4\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-1089051594\" style=\"--n-tabs-title-order: 4;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tEssays, Articles, and Reviews\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-1089051595\" data-tab-title-id=\"e-n-tab-title-1089051595\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"5\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-1089051595\" style=\"--n-tabs-title-order: 5;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tJournalism\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-1089051596\" data-tab-title-id=\"e-n-tab-title-1089051596\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"6\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-1089051596\" style=\"--n-tabs-title-order: 6;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tTranslations\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t<button id=\"e-n-tab-title-1089051597\" data-tab-title-id=\"e-n-tab-title-1089051597\" class=\"e-n-tab-title\" aria-selected=\"false\" data-tab-index=\"7\" role=\"tab\" tabindex=\"-1\" aria-controls=\"e-n-tab-content-1089051597\" style=\"--n-tabs-title-order: 7;\">\n\t\t\t\t\t\t<span class=\"e-n-tab-title-text\">\n\t\t\t\tLiterary Events\t\t\t<\/span>\n\t\t<\/button>\n\t\t\t\t\t<\/div>\n\t\t\t<div class=\"e-n-tabs-content\">\n\t\t\t\t<div id=\"e-n-tab-content-1089051591\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-1089051591\" data-tab-index=\"1\" style=\"--n-tabs-title-order: 1;\" class=\"e-active elementor-element elementor-element-670d4ba e-con-full e-flex e-con e-child\" data-id=\"670d4ba\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t<div class=\"elementor-element elementor-element-60dcc6a e-flex e-con-boxed e-con e-child\" data-id=\"60dcc6a\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c9436fa elementor-widget elementor-widget-heading\" data-id=\"c9436fa\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Books<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fb40ca elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"3fb40ca\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>A Daughter\u2019s Place. House of Anansi Press. Forthcoming May 20, 2025. (Novel)<br \/><br \/>No Stars in the Sky. House of Anansi Press. May 3rd, 2022. (Short story collection)<br \/><br \/>Boca de lobo (audiobook). Audible en espa\u00f1ol, 2021.<br \/><br \/>Plaza Requiem. Toronto: Exile Editions, November 2017. (Short story collection)<br \/><br \/>De tr\u00e1nsito (In Transit). San Juan, Puerto Rico: Terranova Editores, Spring 2014. (Short story collection)<br \/><br \/>Boca de lobo. Toluca, Edo. De M\u00e9xico: Instituto Mexiquense de Cultura, 2008. Second printing Fall 2010. (Novella)<br \/><br \/>Boca de lobo. Santo Domingo, Dominican Republic: Le\u00f3n Jimenes, 2007 (Novella)\u00a0<br \/><br \/>La primera taza de caf\u00e9. (The First Cup of Coffee) Mexico City: Ariadna Press, 2007. (Compilation of short stories, articles, chronicles, and reviews published originally in Uno M\u00e1s Uno newspaper from 1993-99)<br \/><br \/>A todos los voy a matar. (I\u2019m Going to Kill Them All). Foreword by Daniel Sada. Monterrey, Mexico: Castillo Press, 2000. (Short story collection)<br \/><br \/>Intitulable (Unnamable). Plaquette. The Jos\u00e9 Antonio Alcaraz Collection. Mexico City: Mixc\u00f3atl, 1996. (Short story collection)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6884d3e elementor-widget elementor-widget-raven-divider\" data-id=\"6884d3e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"raven-divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"raven-widget-wrapper\">\n\t\t\t<div class=\"raven-divider\">\n\t\t\t\t<span class=\"raven-divider-line raven-divider-solid\"><\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-6467296 e-flex e-con-boxed e-con e-child\" data-id=\"6467296\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-bead4cc elementor-widget elementor-widget-heading\" data-id=\"bead4cc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Books in Translation<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0aad41a elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"0aad41a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Y\u0131ld\u0131zs\u0131z G\u00f6ky\u00fcz\u00fc (Turkish translation of No Stars in the Sky). Transl. Ay\u015fe Sena Kurt. Istambul: Soy Sal Yayin Grubu. May 2023.<\/p><p>Damiana\u2019s Reprieve. Toronto: Exile Editions. November 2018. (Re-edition of The Wolf\u2019s Mouth)<\/p><p>La Gueule du loup (French translation of Boca de lobo). Transl. Khristina Legault. Ottawa: Lugar Com\u00fan Editorial. May 2018.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-1089051592\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-1089051592\" data-tab-index=\"2\" style=\"--n-tabs-title-order: 2;\" class=\"elementor-element elementor-element-41030a8 e-con-full e-flex e-con e-child\" data-id=\"41030a8\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t<div class=\"elementor-element elementor-element-dfe8146 e-flex e-con-boxed e-con e-child\" data-id=\"dfe8146\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-88095e7 elementor-widget elementor-widget-heading\" data-id=\"88095e7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Contributions to Anthologies (as author)\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-064eb4a elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"064eb4a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>\u201cEl que pierde gana.\u201d C\u00f3mo perder un concurso literario (contado por los que lo han ganado). Ed.Enrique Adonis R.M. Mexico City: Universidad de la Ciudad de M\u00e9xico. Forthcoming: 2025.<\/p><p>\u201cCuenta nueva sin borr\u00f3n.\u201d La violencia m\u00e1s all\u00e1 de los r\u00edos. Eds. Antolina Ort\u00edz, \u00c1ngel Mota, Alejandro Estivill. Mexico City: Bonilla Editores, 2024.\u00a0 <a href=\"https:\/\/bonillaartigaseditores.com\/products\/la-violencia-mas-alla-de-los-rios-alejandro-estivill-angel-mota-berriozabal-antolina-ortiz-moore\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cTriunfo final\u201d, Antolog\u00eda 2, Feria Internacional del libro de Nueva York. CUNY Mexican Studies Institute. Oct. 2022. <span style=\"text-decoration: underline;\"><a href=\"https:\/\/academicworks.cuny.edu\/cgi\/viewcontent.cgi?article=1005&amp;context=msi_pubs\" target=\"_blank\" rel=\"noopener\">Antolog\u00eda Volumen II: Cuento, poes\u00eda, relato, microrrelato y testimonio (cuny.edu)<\/a><\/span><\/p><p>\u201cRetorno a Lavinia\u201d (\u201cRetour \u00e0 Lavinia\u201d). Allers simples\/ Sin retorno. Bilingual French-Spanish Edition. Montreal: \u00c9ditions Urubu, Dec. 2021. <br \/><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.leslibraires.ca\/livres\/allers-simples-sin-retorno-caroline-dawson-9782924560037.html?srsltid=AfmBOorqFaReN8lMCn6sMFO-E9HMMVPwfVQ-_kygdPucFDUym4QWpiWi\" target=\"_blank\" rel=\"noopener\">Read more<\/a><\/span><\/p><p>\u201cEnvidia.\u201d A muchas voces. Escritura desde la maternidad.\u201d Ed. Isabel Zapata. Mexico City\/ Morelia: El Traspatio (E-book), Nov. 2020. <br \/><a href=\"https:\/\/pensarlodomestico.wordpress.com\/wp-content\/uploads\/2020\/12\/a-muchas-voces.-escritura-desde-la-maternidad-1.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cMiedo derretido.\u201d Diario de la pandemia. Eds. Jorge Volpi, Guadalupe Nettel. Mexico City: UNAM, 2020. <br \/><span style=\"text-decoration: underline;\"><a href=\"https:\/\/ru.cultura.unam.mx\/bitstream\/123456789\/1151\/2\/Revista%20de%20la%20Universidad%20de%20M%C3%A9xico_Diario%20de%20la%20Pandemia.pdf\" target=\"_blank\" rel=\"noopener\">Read more<\/a><\/span><\/p><p>\u201cLa otra verdad de Helena.\u201d Antolog\u00eda de la Revista Virtual Quimera. San Jos\u00e9, Costa Rica: Colegio de Costa Rica, Dec 2020. <br \/><span style=\"text-decoration: underline;\"><a href=\"https:\/\/revistavirtualquimera.files.wordpress.com\/2021\/04\/antologia.pdf\" target=\"_blank\" rel=\"noopener\">Read more<\/a><\/span><\/p><p>\u201cAbrazo de oso.\u201d 3\u00aa Antolog\u00eda de Escritoras Mexicanas. Mexico City: Escritoras Mexicanas, Dec. 2020. <a href=\"https:\/\/fenalem.mx\/product\/tercera-antologia-de-escritoras-mexicanas-autoras-varias\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cAstillas de cristal.\u201d \u00a1Oh, Canad\u00e1! Ottawa: Editorial Art\u00edstica, September 2020. <a href=\"https:\/\/editorialartistica.com\/catalogo\/\" target=\"_blank\" rel=\"noopener\"><u>Read more<\/u><\/a><\/p><p>\u201cSvetlana de Montreal.\u201d Historias para animales escondidos. Ottawa: Lugar Com\u00fan Press, May 2020. <a href=\"https:\/\/www.lanuevaprensa.com.co\/corte-suprema-esta-obligada-a-arrestar-a-alvaro-uribe-velez-aseveran-expertos\/historias-para-animales-escondidos\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201c\u00c1mbar.\u201d Relatos entrecruzados. Ottawa: Mapal\u00e9 Press, April 2020. <a href=\"https:\/\/www.goodreads.com\/book\/show\/59021064-relatos-entrecruzados\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cBoomer Remover.\u201d De pandemia a pandem\u00f3nium. Short play on Covid-19. Eds. Carlos Nohpal and Edgar Alvarez Estrada. Dramaturgia Mexicana Website: March 2020. <span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.scribd.com\/document\/457998402\/De-Pandemia-a-Pandemonium-varios-autores\">Read more<\/a><\/span><\/p><p>\u201cSuspended.\u201d Carter V. Cooper Short Fiction Anthology Series Vol. 8. Toronto: Exile Editions, June 2019. <span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.exileeditions.com\/shop\/cvc8\/\" target=\"_blank\" rel=\"noopener\">Read more<\/a><\/span><\/p><p>\u201cSvetlana de Montreal.\u201d Historias de Montreal. Ottawa: Lugar Com\u00fan, 2019. <a href=\"https:\/\/lasamericas.ca\/es\/productos\/29823\/historias-de-montreal-lugar-comun\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cMon\u00f3logo sobre mamut.\u201d Canadograf\u00eda. Chill\u00e1n (Chile): Editorial Montecristo Cartonero, 2017. <a href=\"https:\/\/lasamericas.ca\/en\/products\/28337\/canadografia-montecristo-cartonero\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cFiat Voluntas Dei.\u201d La cola del cerdo. Ottawa: Lugar Com\u00fan Editorial, 2017. <a href=\"https:\/\/www.amazon.ca\/cola-del-cerdo-infantiles-funtasiosa\/dp\/1987819454\" target=\"_blank\" rel=\"noopener\"><u>Read more<\/u><\/a><\/p><p>\u201cLa lista.\u201d Historias de Toronto. Ottawa: Lugar Com\u00fan Editorial, 2016.\u00a0 <a href=\"https:\/\/www.rcinet.ca\/es\/2016\/11\/29\/12-historias-para-descubrir-toronto\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cPaternity, revisited.\u201d Carter V. Cooper Short Fiction Anthology Series Vol. 6. Toronto: Exile Editions, 2016. <a href=\"https:\/\/www.exileeditions.com\/shop\/cvc6\/\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cTragedia dom\u00e9stica.&#8221; \u00a1Basta! Cien mujeres contra la violencia de g\u00e9nero. Mexico City: UAM, 2014. <a href=\"https:\/\/casadelibrosabiertos.uam.mx\/gpd-basta-cien-mujeres-contra-la-violencia-de-genero.html\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>&#8220;Pez alado.&#8221; Bestiario para Mateo. Andr\u00e9s V\u00e1zquez Gloria, artist. Mexico City: UAM, 2013.<br \/><span style=\"text-decoration: underline;\"><a href=\"https:\/\/publicaciones.xoc.uam.mx\/TablaContenidoLibro.php?id_libro=556\" target=\"_blank\" rel=\"noopener\">Read more<\/a><\/span><\/p><p>&#8220;The Last Confession.&#8221; Carter V Cooper Short Fiction Anthology Series Vol 2. Toronto: Exile Editions, 2012. <a href=\"https:\/\/www.exileeditions.com\/shop\/cvc-2\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>&#8220;El piano.\u201d La m\u00fasica tambi\u00e9n es un cuento. Ed. Fernando D\u00edez de Urdanivia. M\u00e9xico City: LUZAM, 2011: 151-158. <a href=\"https:\/\/www.luzam.com.mx\/la-musica-tambien-es-un-cuento\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cBrindis por la tecnolog\u00eda,\u201d \u201cFacebook Love.\u201d Las imposturas de Eros. Eds. Luis Molina Lora, Julio Torres-Recinos. Ottawa: Lugar Com\u00fan, 2009: 60-72. <a href=\"https:\/\/dialogos.ca\/es\/2010\/05\/las-imposturas-de-eros-cuentos-de-amor-en-la-posmodernidad\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cD\u00eda de plaza,\u201d \u201cLa estatua,\u201d \u201cLas mil vidas del t\u00edo Co.\u201d Antolog\u00eda de cuentos Nuestra Palabra Primera Hornada (Anthology of award-winning short-stories from the Hispanic-Canadian contest Nuestra Palabra). Ed. Guillermo Rose. Toronto: Nuestra Palabra, 2009: 13-16; 165-169; 219-223. <a href=\"https:\/\/www.amazon.ca\/Cuentos-nuestra-palabra-PRIMERA-HORNADA\/dp\/0968028470\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cDe mi vecino chilango y otros asuntos relevantes.\u201d M\u00e9xico visto desde lejos (Mexico Seen from Afar). Ed. Samuel Schmidt. Mexico City: Taurus y El Colegio de Chihuahua, 2008: 225-235. <a href=\"https:\/\/www.amazon.ca\/M%C3%A9xico-visto-desde-Samuel-Schmidt\/dp\/9705801207\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>Review:<br \/><a href=\"https:\/\/www.redalyc.org\/pdf\/282\/28212043013.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">https:\/\/www.redalyc.org\/<\/span><\/a><\/p><p>\u201cLa dulce Valeria\u201d, \u201cLa primera taza de caf\u00e9.\u201d Retrato de una nube. Primera antolog\u00eda del cuento hispano-candiense (Cloudburst: The First Anthology of Hispanic-Canadian Short-Stories).<br \/>Eds. Luis Molina Lora, Julio Torres-Recinos. Ottawa: Lugar Com\u00fan, 2008: 25-38.<br \/><a href=\"https:\/\/dialogos.ca\/es\/2009\/09\/retrato-de-una-nube-2\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cNoches de poes\u00eda.\u201d Martirologios del siglo, Homenaje al Marqu\u00e9s de Sade. Ed. Carmen Nozal, Paco Pacheco. Mexico City: Universidad Aut\u00f3noma Metropolitana (UAM), 2001: 20.<\/p><p>\u201cLa primera taza de caf\u00e9.\u201d Premio Internacional de Cuentos Miguel de Unamuno 1994-1996. Salamanca: Caja Salamanca y Soria, 1997: 125-134.<\/p><p>\u201cLa primera taza de caf\u00e9.\u201d Antolog\u00eda de letras y dramaturgia J\u00f3venes Creadores del FONCA 1995-1996. Mexico City: Fondo Nacional para la Cultura y las Artes, 1996: 31-40. <a href=\"http:\/\/www.elem.mx\/obra\/datos\/231686\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cLas siete Mar\u00edas.\u201d II Premio Internacional de Literatura La Guadalupana. Mexico City: Grupo Editorial Siete, 1994: 127-132.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e93a918 elementor-widget elementor-widget-raven-divider\" data-id=\"e93a918\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"raven-divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"raven-widget-wrapper\">\n\t\t\t<div class=\"raven-divider\">\n\t\t\t\t<span class=\"raven-divider-line raven-divider-solid\"><\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-0429270 e-flex e-con-boxed e-con e-child\" data-id=\"0429270\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ef0e3e7 elementor-widget elementor-widget-heading\" data-id=\"ef0e3e7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Curated Anthologies (As Editor)\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3aa269a elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"3aa269a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><i>Nostalgia bajo cero, Ten Years of Creative Writing in Spanish, <\/i>an anthology of texts written by students enrolled in the Creative Writing in Spanish Courses at the University of Toronto\u2019s School of Continuing Studies. Ottawa: Lugar Com\u00fan Press, April 2020. <span style=\"text-decoration: underline;\"><a href=\"https:\/\/hispanophone.ca\/2020\/06\/27\/el-espanol-da-batalla-en-el-frente-de-toronto\/\" target=\"_blank\" rel=\"noopener\">Read more<\/a><\/span><\/p><p class=\"p1\"><i>Historias de Montreal, <\/i>with Hispanic-Canadian authors based in Toronto and Montreal. Lugar Com\u00fan Press: Ottawa, May 2019. <a href=\"https:\/\/lattin.ca\/2016\/11\/17\/el-libro-historias-de-toronto-reune-a-doce-escritores-hispanoamericanos-en-canada\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a>\u00a0| <a href=\"https:\/\/checkout.square.site\/merchant\/9YBCJVNY0S539\/checkout\/7WZOGBRQUZFHPVD7FFEXBP2S?src=embed\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Buy<\/span><\/a><\/p><p class=\"p1\"><i>Historias de Toronto, <\/i>with the Writers\u2019 Collective IMAGINA. Toronto, ON. Lugar Com\u00fan Press: Ottawa, December 2016. Second edition forthcoming 2021. <a href=\"https:\/\/lattin.ca\/2016\/11\/17\/el-libro-historias-de-toronto-reune-a-doce-escritores-hispanoamericanos-en-canada\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a> | <a href=\"https:\/\/lattin.ca\/2016\/11\/17\/el-libro-historias-de-toronto-reune-a-doce-escritores-hispanoamericanos-en-canada\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><br \/><br \/><\/p><p class=\"p1\"><i>Desde el norte: narrativa canadiense contempor\u00e1nea. <\/i>Mexico City: Universidad Aut\u00f3noma Metropolitana (UAM), 2015. (Anthology of Canadian short-stories translated into Spanish by B\u00e1tiz and some of her students at Glendon College\/ York University). <a href=\"https:\/\/www.educal.com.mx\/0800-literatura\/094187-desde-el-norte-narrativa-canadiense-contemporanea.html\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a> | <a href=\"https:\/\/casadelibrosabiertos.uam.mx\/gpd-desde-el-norte.html\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Buy<\/span><\/a><br \/><br \/><i>The Apostles Review, English Edition. <\/i>Montreal, May 2015. (Anthology of short-stories written by Hispanic-Canadian authors and translated into English by B\u00e1tiz and her students at Glendon College\/ York University).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-1089051593\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-1089051593\" data-tab-index=\"3\" style=\"--n-tabs-title-order: 3;\" class=\"elementor-element elementor-element-9a37a77 e-con-full e-flex e-con e-child\" data-id=\"9a37a77\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t<div class=\"elementor-element elementor-element-c1d55b8 e-flex e-con-boxed e-con e-child\" data-id=\"c1d55b8\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1935478 elementor-widget elementor-widget-heading\" data-id=\"1935478\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Short Reads<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-789c234 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"789c234\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\">\u201cCambio de ruta,\u201d in Acentos Review (NY, USA). July 2023. <a href=\"https:\/\/acentosreview.squarespace.com\/martha-batiz\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201cFinal Triumph,\u201d in Puentes Review (Melbourne, Australia). August 2022. <a href=\"https:\/\/puentesreview.com\/ultimatetriumphmarthabatiz\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p3\">\u201cFiat voluntas Dei\u201d, in <i>Letras Libres<\/i>, Sept. 2021. <a href=\"https:\/\/letraslibres.com\/revista\/fiat-voluntas-dei\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p4\"><span class=\"s1\">\u201cHumedades,\u201d in <i>Alas de Cuervo<\/i>, Aug. 23, 2021. <a href=\"https:\/\/alasdecuervo.com\/cuentos\/f\/humedades---martha-b%C3%A1tiz\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/span><\/p><p class=\"p3\">\u201cDeclaraci\u00f3n jurada,\u201d in Literal Magazine (Latin American Voices), June 17, 2021. <a href=\"https:\/\/literalmagazine.com\/declaracion-jurada\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p3\">\u201cThis is a comal,\u201d in <i>Revista Este Pa\u00eds<\/i>, Dec. 29, 2020. <a href=\"https:\/\/estepais.com\/cultura\/this-is-a-comal\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p3\">\u201cMexicienta\u201d, in <i>Revista Este Pa\u00eds<\/i>, Nov. 12, 2020. <a href=\"https:\/\/estepais.com\/cultura\/mexicienta\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p6\">\u201cR is for Radishes on Remembrance Day,\u201d in <i>Lattin Magazine<\/i>, Nov. 11, 2020. <a href=\"https:\/\/lattin.ca\/2020\/11\/10\/r-is-for-radishes-on-remembrance-day\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p4\"><span class=\"s1\">\u201cGaler\u00eda de miedos\u201d, in <i>Lattin Magazine<\/i>, Oct. 26, 2020. <a href=\"https:\/\/lattin.ca\/2020\/10\/26\/martha-batiz-galeria-de-miedos\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/span><\/p><p class=\"p6\">\u201cFlorencia,\u201d in <i>Revista Cultural Mood<\/i>, Oct. 19, 2020 (Day of the Female Writers). <a href=\"https:\/\/www.moodmagazine.mx\/batiz\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p6\">\u201cSol negro,\u201d in the special dossier <i>Narrando el ritmo de las cosas. Cuentos de escritoras contempor\u00e1neas<\/i>, edited by Adriana Pacheco for UTEP\u2019s <i>Revista de literatura mexicana contempor\u00e1nea<\/i>. A\u00f1o XXV, No. 76. March 2020.<\/p><p class=\"p6\">\u201cBroken,\u201d in <i>Label Me Latina\/o<\/i>, a refereed international e-journal Volume IX, Spring 2019. <a href=\"https:\/\/labelmelatin.com\/wp-content\/uploads\/2019\/03\/Martha-Batiz-BROKEN.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p6\">\u201cThe Last Confession,\u201d in <i>Gynosko<\/i>, an online literary magazine based in California. Feb. 2018<\/p><p class=\"p6\">\u201cPay the pollero,\u201d in <i>Geist Magazine<\/i>, No. 107, Winter 2017 (p. 29-30). <a href=\"http:\/\/www.geistnewsletter.com\/Geist-107.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a>\u00a0<\/p><p class=\"p6\">\u201cMaria Times Seven,\u201d in <i>Words Without Borders<\/i>, an online magazine for international literature based in NY. June 2016. <a href=\"https:\/\/www.wordswithoutborders.org\/article\/june-2016-latino-canadian-lit-feature-maria-times-seven-martha-batiz\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p3\">\u201cR is for Radishes on Remembrance Day,\u201d in <i>York Literary Review<\/i>, online journal published by the University of York St. John, England. Spring 2016.<\/p><p class=\"p3\">\u201cIn Transit,\u201d in <i>ROOM Magazine<\/i>. Vancouver, Canada. 39.1: Women of Colour Issue, Spring 2016: 99-104. <a href=\"https:\/\/roommagazine.com\/product\/women-of-colour\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p8\">\u201cSquare Day,&#8221; in <i>Deep Water Literary Journal<\/i>, Ireland. Autumn 2013.<\/p><p class=\"p3\">\u201cMon\u00f3logo sobre mamut\u201d\/ \u201cMammoth Monologue\u201d Di\u00e1logos Foro en l\u00ednea, December 2012. <a href=\"http:\/\/dialogos.ca\/2012\/12\/monologo-sobre-mamut\/?lang=es\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p9\">&#8220;Las mil vidas del t\u00edo Co,\u201d in <i>The Apostles Review<\/i>. Montreal, Quebec. Winter 2009: 9-10.<\/p><p class=\"p9\"><i>\u201c<\/i>Ants,\u201d in <i>Exile, the Literary Quarterly. <\/i>Canada. Summer edition, 2006. <a href=\"https:\/\/www.exilequarterly.com\/product\/volume-30-2\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p10\"><i>\u201c<\/i>Sweet Valeria,\u201d in <i>TransVerse<\/i>. Department of Comparative Literature at the University of Toronto. September 2005.<\/p><p class=\"p9\">\u201cD\u00eda de plaza\u201d and \u201cMujer azteca,\u201d in <i>Letras<\/i>: <i>El Nuevo D\u00eda<\/i>. Puerto Rico. July 2005.<\/p><p class=\"p11\">\u201cD\u00eda de plaza\u201d and \u201cLas siete Mar\u00edas.\u201d Ficticia, 2005. <a href=\"https:\/\/museo.ficticia.com\/indiceAutores.html\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p11\"><i> <\/i>\u201cHormigas.\u201d in <i>Xinesquema<\/i>. Dominican Republic. May 2005.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-1089051594\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-1089051594\" data-tab-index=\"4\" style=\"--n-tabs-title-order: 4;\" class=\"elementor-element elementor-element-92a8f39 e-con-full e-flex e-con e-child\" data-id=\"92a8f39\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t<div class=\"elementor-element elementor-element-865dc33 e-flex e-con-boxed e-con e-child\" data-id=\"865dc33\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3e5f64d elementor-widget elementor-widget-heading\" data-id=\"3e5f64d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Non fiction<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e47cfcb elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"e47cfcb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\">\u201cNarradoras mexicanas, por fin profetas en su propia tierra.\u201d Letras Libres, June 29, 2023. <a href=\"https:\/\/letraslibres.com\/literatura\/martha-batiz-narradoras-mexicanas\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201c\u00bfD\u00f3nde est\u00e1n las dramaturgas?\u201d, in Literal Magazine (Latin American Voices), Houston, TX, April 2023. <a href=\"https:\/\/literalmagazine.com\/donde-estan-las-dramaturgas\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201cWhat is Martha B\u00e1tiz Reading?\u201d Online Exclusive for The New Quarterly (Canada), April 2023. <a href=\"https:\/\/tnq.ca\/what-is-martha-batiz-reading\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201cThe language I write in now\u201d, in The New Quarterly (Canada), Issue 165, Winter 2023. <a href=\"https:\/\/tnq.ca\/oops\/?mepr-unauth-page=33320&amp;redirect_to=%2Fstory%2Fthe-language-i-write-in-now%2F\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p5\">\u201cDe \u00f3rgano vac\u00edo a hoyo negro: La lucha desde -y por- el \u00fatero\u201d, in Literal Magazine\u00a0(Latin American Voices), Houston, TX, July 2022. <a href=\"https:\/\/literalmagazine.com\/de-organo-vacio-a-hoyo-negro\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p5\">\u201cPrejuicios, \u00bfal infinito y m\u00e1s all\u00e1?\u201d, in Literal Magazine (Latin American Voices),\u00a0Houston, TX, June 2022. <a href=\"https:\/\/literalmagazine.com\/prejuicios-hasta-el-infinito-y-mas- alla\/\" target=\"_blank\" rel=\"noopener\" data-wplink-url-error=\"true\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201cPerder la tierra,\u201d in Literal Magazine (Latin American Voices), Houston, TX, March 2022. <a href=\"https:\/\/literalmagazine.com\/perder-la-tierra\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p5\"><span class=\"Apple-converted-space\">\u00a0<\/span>\u201cGenocidio en Canad\u00e1\u201d, in Literal Magazine (Latin American Voices), Houston, TX, June, 2021.<span class=\"Apple-converted-space\">\u00a0 <a href=\"https:\/\/literalmagazine.com\/canada\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/span><\/p><p class=\"p5\">\u201cEl principio del fin\u201d, in Literal Magazine (Latin American Voices), Houston, TX, February 2021. <a href=\"https:\/\/literalmagazine.com\/el-principio-del-fin\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p5\">\u201cHablar de lo indecible,\u201d in Literal Magazine (Latin American Voices), Houston, TX, Oct. 2020. <a href=\"https:\/\/literalmagazine.com\/hablar-de-lo-indecible\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201cEscritoras al grito de guerra,\u201d in Literal Magazine (Latin American Voices), Houston, TX, Sept. 2020. <a href=\"https:\/\/literalmagazine.com\/escritoras-al-grito-de-guerra\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201cMiedo derretido,\u201d in the special dossier titled <i>Diario de la pandemia<\/i>, Revista de la Universidad de M\u00e9xico. Mexico City, May 2020. <a href=\"https:\/\/www.revistadelauniversidad.mx\/articles\/caf2eae9-bbe2-4196-acdf-081f996d35c6\/miedo-derretido\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201cEl Frankenstein que se inspir\u00f3 en Televisa,\u201d in Literal Magazine (Latin American Voices). Houston, TX, May 2020. <a href=\"https:\/\/literalmagazine.com\/amlo-y-la-pandemia-el-frankenstein-que-se-inspiro-en-televisa\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201c\u00bfUna nueva Edad Media o un segundo Renacimiento?,\u201d in Literal Magazine (Latin American Voices). Houston, TX. April 2020. <a href=\"https:\/\/literalmagazine.com\/una-nueva-edad-media-o-un-segundo-renacimiento\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a>\u00a0<\/p><p class=\"p1\">\u201cRecordando a Huberto Batis,\u201d in Literal Magazine (Latin American Voices). Houston, TX. August 2018. <a href=\"https:\/\/literalmagazine.com\/recordando-a-huberto-batis\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p8\"><span class=\"Apple-converted-space\">\u00a0<\/span><i>\u201cSenderos de violencia, Latinoam\u00e9rica y sus narrativas armadas<\/i>, editado por Oswaldo<\/p><p class=\"p8\">Estrada. Un libro no solo para estudiantes y acad\u00e9micos, sino para todos.\u201d Revista de<\/p><p class=\"p8\">Estudios Hisp\u00e1nicos, Washington University St. Louis. Fall 2017. <a href=\"https:\/\/dialnet.unirioja.es\/servlet\/libro?codigo=726190\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201cDiario de un duelo,\u201d in Literal Magazine (Latin American Voices). Houston, Texas. Fall 2017. <a href=\"https:\/\/literalmagazine.com\/diario-de-un-duelo\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p8\"><i>\u201cSenderos de violencia, Latinoam\u00e9rica y sus narrativas armadas<\/i>, editado por Oswaldo Estrada. Un libro no solo para estudiantes y acad\u00e9micos, sino para todos.\u201d Revista de Estudios Hisp\u00e1nicos, Washington University St. Louis. Fall 2017. <a href=\"https:\/\/dialnet.unirioja.es\/servlet\/libro?codigo=726190\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p9\">\u201cTalk to a legitimate Mexican refugee and you\u2019ll see, Canada is a friend.\u201d The Globe and\u00a0Mail (online Opinion Section, April 1<span class=\"s3\"><sup>st<\/sup><\/span>, 2017). <a href=\"https:\/\/beta.theglobeandmail.com\/opinion\/talk-to-a-legitimate-mexican-refugee-and-youll-see-canada-is-a-friend\/article34552701\/?ref=http:\/\/www.theglobeandmail.com&amp;\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\"><span class=\"Apple-converted-space\">\u00a0 <\/span>&#8220;Sobre Marina Nemat, autora de <i>La prisionera de Teher\u00e1n<\/i>: Escribir en otra lengua es un escudo.&#8221; <i>Contratiempo<\/i> Magazine, Chicago, Oct. 6, 2013. <a href=\"http:\/\/contratiempo.net\/2013\/10\/sobre-marina-nemat-autora-de-la-prisionera-de-teheran-escribir-en-otra-lengua-es-un-escudo\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201cWhy is Literary Translation Relevant?\u201d in <i>Exile, the Literary Quarterly<\/i> (Canada). August 2011.<\/p><p class=\"p11\">\u201c<i>Prisoner of Tehran<\/i>, by Marina Nemat,\u201d in Literal Magazine (Latin American Voices).<i> <\/i>Houston, Texas. Fall edition, 2007. <a href=\"https:\/\/literalmagazine.com\/prisoner-of-tehran\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p class=\"p1\">\u201cBorat, la madre del esc\u00e1ndalo,\u201d in <i>El dominical<\/i> (culture and entertainment supplement of <i>El Comercio <\/i>newspaper). Lima, Peru. January 7, 2007.<\/p><p class=\"p1\">\u201cThis Country as a Gift,\u201d in <i>The New Canadian Magazine<\/i>. January 2004.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-1089051595\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-1089051595\" data-tab-index=\"5\" style=\"--n-tabs-title-order: 5;\" class=\"elementor-element elementor-element-9266fc6 e-con-full e-flex e-con e-child\" data-id=\"9266fc6\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t<div class=\"elementor-element elementor-element-4307161 e-flex e-con-boxed e-con e-child\" data-id=\"4307161\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4b9c51c elementor-widget elementor-widget-heading\" data-id=\"4b9c51c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Written interviews<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-972ced3 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"972ced3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>\u201cOn love, madness, and fear of freedom: an interview with Fernanda Trias.\u201d Oct 19, 2021. <span style=\"text-decoration: underline;\"><a href=\"https:\/\/lattin.ca\/2021\/10\/19\/on-love-madness-and-fear-of-freedom-an-interview-with-fernanda-trias\/\" target=\"_blank\" rel=\"noopener\">Read more<\/a><\/span><\/p><p>\u201cThe sum of every small dream: an interview with Eva Baltasar.\u201d Oct. 12, 2021. <a href=\"https:\/\/lattin.ca\/2021\/10\/12\/the-sum-of-every-small-dream-an-interview-with-eva-baltasar\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p>\u201cGioconda Belli: Adentrarse a las entra\u00f1as del volc\u00e1n.\u201d Interview to Gioconda Belli. April 2021. <a href=\"https:\/\/lattin.ca\/2021\/04\/20\/giconda-belli-adentrarse-a-las-entranas-del-volcan\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2cf7051 elementor-widget elementor-widget-raven-divider\" data-id=\"2cf7051\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"raven-divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"raven-widget-wrapper\">\n\t\t\t<div class=\"raven-divider\">\n\t\t\t\t<span class=\"raven-divider-line raven-divider-solid\"><\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-c7237dc e-flex e-con-boxed e-con e-child\" data-id=\"c7237dc\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-530997c elementor-widget elementor-widget-heading\" data-id=\"530997c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Other articles in<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-21f9496 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"21f9496\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span class=\"s1\"><a href=\"http:\/\/www.lattin.ca\"><span class=\"s2\">www.lattin.ca<\/span><\/a><\/span>, a Hispanic-Canadian online magazine (2017)<\/p><p><span class=\"s1\"><a href=\"http:\/\/www.dialogos.ca\"><span class=\"s2\">www.dialogos.ca<\/span><\/a><\/span>, an online forum about translation, literature and culture (2011-12)<\/p><p><span class=\"s1\"><a href=\"http:\/\/www.canasanta.com\"><span class=\"s2\">www.canasanta.com<\/span><\/a><\/span>, a website for the Hispanic community in Canada. (2005-2010)<\/p><p><i>El Reto<\/i>, weekly newspaper in Ciudad Ju\u00e1rez, Chihuahua, Mexico. www.elreto.com.mx. (Summer 2000 \u2013 2018)<\/p><p><i>El B\u00faho<\/i>, cultural supplement to <i>Excelsior<\/i> and also as a monthly magazine, Mexico City<span class=\"Apple-converted-space\">\u00a0\u00a0<\/span>(1998 \u2013 ). <a href=\"http:\/\/www.reneavilesfabila.com.mx\/universodeelbuho\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">Read more<\/span><\/a><\/p><p><i>La Cr\u00f3nica<\/i>, Mexico City (1996 \u2013 1999)<\/p><p><i>Nexos<\/i>, Mexico City (1995 \u2013 1997)<\/p><p><i>Mexico City Time, <\/i>Mexico City <i>&#8211; <span class=\"Apple-converted-space\">\u00a0 <\/span><\/i>\u201cOn <span class=\"s3\">A Modest Proposal:<\/span> Remembering Jonathan Swift\u2019s Call To Consciousness.\u201d 13 Nov. 1995: 18.<\/p><p><a href=\"http:\/\/www.etcetera.com.mx\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><i>Etc\u00e9tera<\/i><\/span><\/a>\u00a0Mexico City (1993 \u2013 2002). Interviews with Mexican theatre directors H\u00e9ctor Mendoza, Ludwik Margules, Luis de Tavira, Ra\u00fal Quintanilla, and actress Laura Almela.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c2ea901 elementor-widget elementor-widget-raven-divider\" data-id=\"c2ea901\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"raven-divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"raven-widget-wrapper\">\n\t\t\t<div class=\"raven-divider\">\n\t\t\t\t<span class=\"raven-divider-line raven-divider-solid\"><\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-884bf54 e-flex e-con-boxed e-con e-child\" data-id=\"884bf54\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d8544f9 elementor-widget elementor-widget-heading\" data-id=\"d8544f9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Weekly Columns<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5775860 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"5775860\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>(Thursday) in the Cultural section of <i>Uno m\u00e1s Uno, <\/i>(1993 \u2013 1999). Published frequently in its cultural supplement <i>S\u00e1bado<\/i> (1994 \u2013 2000)<\/p><p>(Friday) in <i>El Correo Canadiense <\/i>(July \u2013 October 2003)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-1089051596\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-1089051596\" data-tab-index=\"6\" style=\"--n-tabs-title-order: 6;\" class=\"elementor-element elementor-element-007d3b0 e-con-full e-flex e-con e-child\" data-id=\"007d3b0\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t<div class=\"elementor-element elementor-element-8c67136 e-flex e-con-boxed e-con e-child\" data-id=\"8c67136\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-339b121 elementor-widget elementor-widget-heading\" data-id=\"339b121\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Spanish into English<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b2bd421 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"b2bd421\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><i>Eclipse<\/i>, a poem by Mexican poet Pura L\u00f3pez Colom\u00e9, dedicated to Scott Griffin and read aloud by Forrest Gander in Washington DC. November 2021. Published in the book <i>The Shared Language of Poetry. Mexico and the United States<\/i>, edited by Eyda M. Merediz and Tanya Huntington, Literal Publishing, Jan. 2024.<\/p><p><i>Instructions for Nurses to Apply Remedies<\/i> (<i>Instrucci\u00f3n de Enfermeros para aplicar los remedios<\/i>), a 17<span class=\"s2\"><sup>th<\/sup><\/span> century nursing manual written by Brother Andr\u00e9s Fern\u00e1ndez, partially translated for Prof. Sioban Nelson (Faculty of Nursing, University of Toronto). June 2019 &amp; May 2020.<\/p><p><i>Broken<\/i>, short-story by M. B\u00e1tiz published in Label Me Latina\/o. March 2019 (Spring Online Edition) <span class=\"s3\"><a href=\"http:\/\/labelmelatin.com\/\"><span class=\"s4\">Read more<\/span><\/a><\/span><\/p><p><i>Venezuela: Heaven Became Hell<\/i>. A newspaper article by Alexander Duarte (Venezuelan refugee in Canada). The Globe and Mail, Jan. 22, 2018. <a href=\"https:\/\/www.theglobeandmail.com\/opinion\/in-venezuela-heaven-has-become-hell\/article37679605\/\" target=\"_blank\" rel=\"noopener\">Read more<\/a><\/p><p>Character bios for <i>The Devil\u2019s Backbone, <\/i>a book on the movie by Guillermo del Toro. San Francisco: Insight Editions, Fall 2017.<\/p><p><i>Hitchcock<\/i> (book), by Mexican movie director Guillermo del Toro. San Francisco: Insight Editions, 2018.<\/p><p><i>Catalogue for Art Exhibition of Spanish artist Juan Antonio Guirado. <\/i>Guirado Estate, London, England. Fall 2015.<\/p><p><i>Juggling Games<\/i> (<i>Malabares<\/i>), novel by Mexican tenor Rolando Villaz\u00f3n, 2016.<\/p><p><i>Square Day<\/i>, short-story by M. B\u00e1tiz published in Deep Water Literary Journal, Ireland. Autumn 2013.<\/p><p><i>The Wolf\u2019s Mouth<\/i>, novella by M. B\u00e1tiz. Close collaboration with Gustavo Escobedo\u2019s official translation of the book (Spring\/Summer 2009).<\/p><p><i>El \u00faltimo patriarca<\/i>, a screen play by Argentinean writer Tom\u00e1s Stiegwart. Translated into English (with fragments in German) as <i>The Last Patriarch.<\/i> (March 2009)<\/p><p>\u201cAnts,\u201d a short-story by M. B\u00e1tiz, published in <i>Exile, the Literary Quarterly<\/i>. Canada. Summer edition, 2006.<\/p><p>\u201cSweet Valeria,\u201d a short-story by M. B\u00e1tiz, published in <i>TransVerse<\/i>. Department of Comparative Literature at the University of Toronto. September 2005.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b05c2c3 elementor-widget elementor-widget-raven-divider\" data-id=\"b05c2c3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"raven-divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"raven-widget-wrapper\">\n\t\t\t<div class=\"raven-divider\">\n\t\t\t\t<span class=\"raven-divider-line raven-divider-solid\"><\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-42d1274 e-flex e-con-boxed e-con e-child\" data-id=\"42d1274\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-0a33ac3 elementor-widget elementor-widget-heading\" data-id=\"0a33ac3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">English into Spanish<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-49e5a20 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"49e5a20\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><i>The Weeping Book<\/i> (<i>El libro que llora<\/i>). The Mysterious Package Company. June 2019.<\/p><p><i>El retorno<\/i>, a play by Marilo Nu\u00f1ez. Dec. 2017.<\/p><p><i>A Translator <\/i>(Originally titled<i> 1989<\/i>)<i>,<\/i> Screenplay by Lindsay Gossling, Dec. 2016.<\/p><p><i>Tina<\/i>, Screenplay by Christopher King and Gabriel Beristain, for a movie to be produced in Mexico on the life of Tina Modotti. Translation and adaptation to Spanish of the script. Summer 2016.<\/p><p><i>Tony Ryan, Ireland&#8217;s Aviator<\/i>, by Richard Aldous. To be published as <i>Tony Ryan, el aviador de Irlanda<\/i>, Forthcoming Fall 2018.<\/p><p>The following short-stories for <i>Desde el norte: narrativa canadiense contempor\u00e1nea<\/i> (please see &#8220;Publications, as Editor&#8221; on page 11 of this CV):<\/p><p class=\"p2\">&#8220;Leila,&#8221; by Marina Nemat<\/p><p class=\"p2\">&#8220;Cultura,&#8221; by Martin Boyd<\/p><p class=\"p2\">&#8220;Archibaldo el \u00e1rtico,&#8221; by Michael Winter<\/p><p class=\"p2\">&#8220;Pabell\u00f3n 24,&#8221; by Gilbert Reid<\/p><p>Press Kit, LEO. Award-winning Show created by Y2D Productions, Montr\u00e9al (Aug. 2014).\u00a0<\/p><p>Press release and artist&#8217;s statement for Patricia Espinosa&#8217;s <i>Popping Into Abstraction<\/i> art exhibit at SOHO20 Chelsea Gallery in Manhattan, NY (Feb. 2013).\u00a0<\/p><p><i>The Scavenger Queen,<\/i> by Branko Gorjup, translated as <i>La pepenadora reina<\/i>. Short text to be published to accompany Claire Weissman Wilks\u2019 art exhibit in Mexico. (March 2011)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div id=\"e-n-tab-content-1089051597\" role=\"tabpanel\" aria-labelledby=\"e-n-tab-title-1089051597\" data-tab-index=\"7\" style=\"--n-tabs-title-order: 7;\" class=\"elementor-element elementor-element-db0cba7 e-con-full e-flex e-con e-child\" data-id=\"db0cba7\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t<div class=\"elementor-element elementor-element-82659a6 e-flex e-con-boxed e-con e-child\" data-id=\"82659a6\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-72ad8c9 elementor-widget elementor-widget-heading\" data-id=\"72ad8c9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Literary Contests\/ Experience as judge or assessor\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fce81a1 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"fce81a1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Judge for <i>The Day After<\/i>, a flash-fiction contest organized by the Department of Spanish and Portuguese at the University of Toronto and <i>Revista Cu\u00e9ntame<\/i>, Fall 2020.<\/p><p>Judge for <i>Seattle Escribe<\/i>, the largest short-story contest in Spanish in Seattle, Washington, USA. Summer 2020.<\/p><p>Experience providing (blind) assessments and evaluations for various book proposals for a few publishing houses in the United States and Canada, as well as grant applications for the Canada Council for the Arts.<\/p><p><i>X, XI, XII, XIV Nuestra Palabra<\/i> (10<span class=\"s2\"><sup>th<\/sup><\/span>, 11<span class=\"s2\"><sup>th<\/sup><\/span>, 12<span class=\"s2\"><sup>th<span class=\"Apple-converted-space\">\u00a0 <\/span><\/sup><\/span>and 14<span class=\"s2\"><sup>th<\/sup><\/span><span class=\"Apple-converted-space\">\u00a0 <\/span>edition of <i>Nuestra Palabra Hispanic-Canadian Short Story Contest<\/i>).\u00a0Toronto, ON, 2013, 2014, 2015, 2019.<\/p><p><i>Rainbow Caterpillar Kids Lit Award <\/i>(Spanish language entries). Toronto, ON, 2011<\/p><p><i>Hart House Contest. <\/i>University of Toronto, 2011.<\/p><p><i>Glendon College\/ Dept. of Hispanic Studies, <\/i>Contest<i> <\/i>for Undergraduate Students (Spring 2009-2012)<\/p><p><i>Punto de Partida<\/i> Short Story Contest. UNAM, Mexico City, 1995.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9361286 elementor-widget elementor-widget-raven-divider\" data-id=\"9361286\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"raven-divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"raven-widget-wrapper\">\n\t\t\t<div class=\"raven-divider\">\n\t\t\t\t<span class=\"raven-divider-line raven-divider-solid\"><\/span>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-32066fc e-flex e-con-boxed e-con e-child\" data-id=\"32066fc\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7f57001 elementor-widget elementor-widget-heading\" data-id=\"7f57001\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Festivals<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-75804a7 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"75804a7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><span class=\"s1\"><strong>As moderator:<\/strong> <\/span><\/p><p class=\"p1\"><i>Toronto International Festival of Authors (TIFA)<\/i><\/p><ul class=\"ul1\"><li class=\"li3\">Man Most Intimate, with Alberto Manguel (Canada) and Jo\u00e3o Reis (Portugal), Sept. 25, 2023.<\/li><li class=\"li3\">The Faultlines of Family, with Hector Abad Faciolince (Colombia), Sept. 24, 2023<\/li><li class=\"li3\">The World in Other Words: Spanish Writers in Conversation, with Anne McLean (Canada) and Salvador Alanis (Mexico)<\/li><li class=\"li3\">Freedom and Solitude, with Fernanda Tr\u00edas (Uruguay) and Eva Baltasar (Spain), Oct. 22, 2021<\/li><\/ul><p class=\"p1\"><i>Motive! The Crime Fiction Festival (Toronto)<\/i><\/p><ul class=\"ul1\"><li class=\"li3\">Sinister Sagas, with Jon Arretxe (Spain) and Marcie Rendon (USA), June 4, 2022<\/li><\/ul><p class=\"p1\"><i>Word on the Street (Toronto)<\/i><\/p><ul class=\"ul1\"><li class=\"li3\">The Fake, with Zoe Whittall, May 28, 2023.<\/li><\/ul><p class=\"p1\"><i>Blue Metropolis Festival (Montreal)<\/i><\/p><ul class=\"ul1\"><li class=\"li3\">Mexican Writers\u2019 Gathering. With Margo Glantz, Brenda Navarro, Yael Weiss, and Salvador Alan\u00eds, April 27, 2024.<\/li><li class=\"li3\">From Concordia to Oxford, Quite the Leap! With Stephen Henighan (Canada), April 30, 2023.<\/li><li class=\"li3\">Mujer en papel. Memorias Inconclusas de Rita Macedo. With Cecilia Fuentes Macedo, daughter of writer Carlos Fuentes (Mexico), May 7, 2022.<\/li><\/ul><p class=\"p5\"><span class=\"Apple-converted-space\">\u00a0\u00a0<\/span><\/p><p class=\"p6\"><strong><i>Other Interviews:<\/i><\/strong><\/p><p class=\"p6\">\u201cAn Evening with Fernanda Tr\u00edas.\u201d Interview with Uruguayan author Fernanda Tr\u00edas at the University of Toronto (OISE). May 1, 2024.<\/p><p class=\"p6\">\u201cFernanda Tr\u00edas en primavera.\u201d Interview with Uruguayan author Fernanda Tr\u00edas at the University of Ottawa. April 29, 2024.<\/p><p class=\"p6\">\u201cTimes of Women Writers.\u201d A Talk with Dr. Eugenia Zicavo. York University\/ Glendon Campus, Oct. 5<span class=\"s2\"><sup>th<\/sup><\/span>, 2023.<\/p><p class=\"p6\">\u201cAn Evening with Author Irene Vallejo. Papyrus: The Invention of Books in the Ancient World.\u201d Interview with Spanish author Irene Vallejo. Toronto Reference Library, April 12, 2023.<\/p><p class=\"p6\">\u201cCecilia Fuentes nos visita.\u201d Interview with Mexican writer Carlos Fuentes\u2019 daughter, Cecilia Fuentes Macedo. Toronto, Spanish Centre, Sept. 9, 2022.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Creative writing Dive into a rich collection of short reads and articles that showcase Martha&#8217;s unique voice and storytelling prowess. Each piece is a window into her vibrant mind, offering readers a glimpse of her profound insights and literary artistry. Whether you&#8217;re seeking thought-provoking essays or immersive narratives, Martha&#8217;s work promises to enchant and inspire. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-339","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/marthabatiz.com\/es\/wp-json\/wp\/v2\/pages\/339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marthabatiz.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marthabatiz.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marthabatiz.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marthabatiz.com\/es\/wp-json\/wp\/v2\/comments?post=339"}],"version-history":[{"count":21,"href":"https:\/\/marthabatiz.com\/es\/wp-json\/wp\/v2\/pages\/339\/revisions"}],"predecessor-version":[{"id":532,"href":"https:\/\/marthabatiz.com\/es\/wp-json\/wp\/v2\/pages\/339\/revisions\/532"}],"wp:attachment":[{"href":"https:\/\/marthabatiz.com\/es\/wp-json\/wp\/v2\/media?parent=339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}